Clarissa by Samuel Richardson (1748)

Clarissa by Samuel Richardson Brief Description :

Forced by her unconscionable family to marry a fat man she detests, the youthful Clarissa Harlowe is tricked into fleeing with the facetious and debonair Robert Lovelace and places herself under his protection. Lovelace, still, proves himself to be an untrustworthy rake whose vague pledges of marriage are accompanied by unpleasant and decreasingly brutal sexual advances.

And yet, Clarissa finds his charm charming, her ethical sense of virtue pigmented with unconfessed craving. Told through a complicated series of interweaving letters, Clarissa is a plushly nebulous study of a fatally attracted couple and a work of stunning power and proximity. A huge success when it first appeared in 1747, and restated into French and German, it remains one of the topmost of all European novels.

Clarissa by Samuel Richardson

In his preface, Angus Ross examines characterization, the epistolary style, the part of the family and the position of women in Clarissa. This edition also includes a report, suggestions for farther reading, tables of letters, notes, a glossary and an excursus on the music for the”Ode to Wisdom.” For further than seventy times, Penguin has been the leading publisher of classic literature in the English- speaking world.

With further than titles, Penguin Classics represents a global bookshelf of the stylish workshop throughout history and across stripes and disciplines. Compendiums trust the series to give authoritative textbooks enhanced by prolusions and notes by imposing scholars and coincidental authors, as well as over-to- date restatements by award- winning translators.

Clarissa by Samuel Richardson Summary :

After Pilgrim’s Progress and Robinson Crusoe, the coming corner in English fabrication is a towering monument of roughly words, Clarissa, the longest novel in the English canon. From time to time, its length is contested by latterly arrivistes – most lately by Vikram Seth’s A Suitable Boy and Horizon less Jest by David Foster Wallace – but Samuel Richardson’s” History of a Young Lady”remains an extraordinary accomplishment.

To Samuel Johnson, it was simply” the first book in the world for the science it displays of the mortal heart“. Utmost critics agree that it’s one of the topmost European novels whose influence casts a long shadow. I first read Clarissa, in France, in a gold- automobiled library edition of numerous volumes. In the house where I was staying there was nothing differently to read in English; I picked it up relatively insensible of its character and significanceMaybe that is the stylish way to approach a classic – abackSoon, I was swept up in the headlong drama of Clarissa Harlowe’s fate – a novel with the simplicity of myth.
Clarissa is a woeful heroine, forced by her unconscionable nouveau-riche family to marry a fat man she detests. When she’s tricked into fleeing from her family‘s designs with the dashing and facetious Robert Lovelace, she inadvertently places herself in the power of an inveterate rake, maybe the most fascinating villain in English literature. It’s the magic of Clarissa that the suckers betray the compendiums‘ imagination as much as any in our literature, including Romeo and Juliet. From this we’ve Dr Johnson’s notorious verdictnoted by Boswell” Why, joe, if you were to read Richardson for the story … you would hang yourself … you must read him for the sentiment.”

The thinker of Richardson’s history isn’t simply the innovative use of epistolary fabrication – the novel is told through a complex web of letters – but also the slyness with which he unfolds the dark tragedy of Clarissa’s fatal magnet to Lovelace. All too mortal in her capacity for tone-deception in matters of coitus, she finds his charm insolvable to repel. It’s the unique spell of the book that her fiercely protested virtue is pigmented with suggestions of unacknowledged desire.
Clarissa Harlowe also sets the gold standard for English fictional heroines. She’s beautiful, intelligenthighprincipledbent and proud, with deep humanity. A Marxist critic would also point out that she’s profoundly middle class. Her tragedy is to come the victim of a man who’ll immuremedicine and eventually force her. Lovelace is inversely divided. His letters –”I love to write to the moment“, he says – are brilliant. But his geste is unlawfulUltramodern compendiums will find his treatment of Clarissa unbearably cruelStillsoftened and humanised, it’s not too important of a stretch to see his alleviation standing behind a character like Mr Darcy in Pride and Prejudice.

The first corridor of Richardson’s masterpiece appeared in 1747-48 and fleetly came cult reading among the new class of English compendiums. By a neat confluence, this” history of a youthful lady” was joined the ensuing time by”the history of. a foundling”, the novel (by Richardson’s rival, Henry Fielding) better known as Tom Jones. In the space of just one time, English fabrication had come of age. For a century and further, English pens would basically explore imaginative terrain counterplotted out by Richardson and Fielding, theco-founders of the ultramodern novel.

Book Details :

  • Length Of Pages : 1534
  • Language : English
  • Date Of Publication : 4th February 1986
  • Publisher : Penguin Classics

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